Ruben Ostland's new film, The Square (2017) is long, complex, and, maybe, just a little too loose to be a masterpiece. It is also very, very funny. (His previous film, Force Majeur is less ambitious, more tightly focused, and equally wonderful -- it's the best film that I have seen about the problem of being a man in the modern world.)
The film is about a exceptionally handsome, self-assured and prosperous Swede, the curator of a vast and prestigious museum of modern art whose life. In Swedish cinema (Bergman for instance) such characters exist to become progressively unhinged by a series of strange events. In its last half hour, the picture's narrative becomes Kafkaesque -- the hero is harassed incessantly by a tiny boy who shrieks at him and threatens to unleash "chaos". By this time, chaos is already much in evidence -- both in the hero's personal and professional life.
I will have to think more about this film before I can reliably report on it. The movie is 2 and a half hours long and contains many incidents. Here is the feeling that the picture induces: you're on a subway and someone seems to be having an epileptic seizure. Everyone is appalled and averts their eyes. But everyone feels intensely guilty. Or you are at a Seven-Eleven in a poor neighborhood in a big city. A beggar has harassed you into giving him some money. He's not satisfied and demands more. How do you feel?
The film's title refers to an art installation at the X-Royal Museum that the hero, Christian, operates. The Square is a space the size of a small room in the museum's courtyard -- it shimmers because it's boundary is delineated by a strip of fiber-optic light. Within the square, a bronze plate tells us: All people will be treated with respect and humanity and all rights and obligations will be protected.
Does such a space exist in our world outside of self-indulgent conceptual art installations? What if such a space did exist? How would we behave? Just before the film's end, we see a dance-team, the Bob Cats, performing an elaborate number in a competition. What is the meaning of this scene?
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